Boro/Kintsugi
A few years ago, I mended an existing ragged prayer rug using gold linen thread to address the topic of Islamophobia. (Blog article qv: https://joannesoroka.co.uk/how-to-make-a-tapestry-about-islamophobia/) The idea was to highlight the mending process, not to hide it, in the same way that those who…
Last Chance to See…
After the buzz of the private view, things settled down with my fellow exhibitor, Fiona Hutchison, and I taking turns with the invigilation of our exhibition, Invisible Threads are the Strongest Ties. The opening (in some circles called a vernissage, French for varnishing*, so completely…
Coordinating on organising an exhibition
In my last blog post, I was talking about collaborating with my friend Fiona Hutchison on putting together a two-person show. This post is on the same subject, but more about coordination, a similar but distinct topic. The themes of our work are similar but…
Collaborating on an exhibition
My friend and fellow tapestry weaver Fiona Hutchison and I are in the process of planning an exhibition which will open with a private view on the evening of the third of May. All exciting, of course, but as other artists have commented, making the…
What not to say to a tapestry weaver
No doubt every professional suffers the indignity of ignorant remarks, once people know what their calling is, from wanting a medical diagnosis at a drinks party to those who think they understand police procedure from watching television. Tapestry weavers are in the same boat. Whether…
Tapestry: Changing Concepts – exhibition highlights
Tapestry: Changing Concepts opened at the City Art Centre, Edinburgh in November and will run until March 2022. The show looks fantastic, with many pieces I would be happy to take home with me. We have also had some good press coverage: ‘Fresh Fruit of…
How to put together a tapestry show
In about two weeks, a big exhibition of tapestry will open at the City Art Centre in Edinburgh. Four years in the making, Tapestry: Changing Concepts is a collaboration between the venue and Scottish Tapestry Artists Regrouped (STAR*). Why does a show need four years…
The Year of Tapestry
Among the cognoscenti, Edinburgh is known as the epicentre of tapestry weaving. Starting with the founding of the Dovecot Studios in 1912 and the inception of the Tapestry Department at Edinburgh College of Art fifty years later, the city has been long been home to…
Stolen Tapestries
In the late 1970s a number of us formed the Scottish Tapestry Artist Group (STAG) to help promote tapestry weaving mainly by having exhibitions. Our shows included the work of both established artists and more recent graduates. We were excited when our third main show…
Are textiles art or craft – what the critics say
Those of us who create tapestries in the widest sense of the term consider that we are making art. However we are often annoyed or even angered by the way our work is perceived, especially by those who should know better, the art critics. Here…