Safe Passage
One of the recent themes in my work has been refugees and their journeys. My own ancestors crossed the seas both fleeing from oppression and poverty and searching for a better life for themselves and their children. Their stories often moved me, as do those…
Miniature Tapestries
Featured image, Flying, miniature textile by Joanne Soroka, 20 x 20 x 9 cm, cut Japanese paper, exhibited at Miniartextil, Como A large tapestry is a major commitment for an artist to embark on, since it may be three months or even more in the…
The Year of Tapestry
Among the cognoscenti, Edinburgh is known as the epicentre of tapestry weaving. Starting with the founding of the Dovecot Studios in 1912 and the inception of the Tapestry Department at Edinburgh College of Art fifty years later, the city has been long been home to…
The Art is the Cloth
Tapestry weaving has gained a new prominence lately, with quite a few books published on the subject. They range from how-to ones to histories of the medium in general or about a given work, era or workshop. But until now, there haven’t been any that…
How I Made a Shroud
My soulmate, Barry, died suddenly and unexpectedly in August. After I got over the initial shock, I thought about how I wanted to give him a parting and meaningful gift, so I decided, as a textile artist, to make a shroud for him. Barry was…
What’s so special about tapestry weaving?
One of the great strengths of tapestry weaving is the surfaces that can be created. Each medium has its positives, and with tapestry, yarns can be used in multiple ways to create texture in bas relief or even into the third dimension. Here are a…
Art in the time of coronavirus
With the current pandemic, we are in a life-and-death situation, all feeling isolated and scared. Most of us are doing our best to comply with medical advice and government regulations. We are practising social distancing by staying at home and minimising contact with others. Tapestry…
Juried exhibitions – why should artists subsidise them?
I have previously fulminated on the subject of open-call commissions, when artists were asked to provide designs to a brief, often in a short timescale and without payment. I composed a sample: ‘The tapestry for Borchester City Chambers should be on the theme of ‘caring…
Stolen Tapestries
In the late 1970s a number of us formed the Scottish Tapestry Artist Group (STAG) to help promote tapestry weaving mainly by having exhibitions. Our shows included the work of both established artists and more recent graduates. We were excited when our third main show…
Can textiles be political?
Joanne Soroka, Another Country, shaped tapestry with tufting The words ‘political’ and ‘textiles’ are not natural bedfellows. Textiles are gentle, feminine and amateur in the general imagination, but some artists like to subvert received opinion and use the apparent disparity to make their point….