Collaborating on an exhibition
My friend and fellow tapestry weaver Fiona Hutchison and I are in the process of planning an exhibition which will open with a private view on the evening of the third of May. All exciting, of course, but as other artists have commented, making the…
Thanks, Brexit
I have regularly participated in international exhibitions in Europe for many years. There are several juried shows, ie a sort of competition where judges decide whether your tapestry is suitable to be included. So in December of 2020, having had a tapestry accepted, I sent…
Why you are paying for failure when you buy a work of art
Potential buyers of art sometimes complain about the high prices. Part of the reason for steep prices is that you are paying for failures. At the heart of artistic creation is experimentation, trying out things that haven’t been done in that exact way before. Ideas…
Is it a tapestry? Yes.
It makes you want to scream. If you type ‘tapestry’ into Amazon, you find that a tapestry can be yours for £4.99! Often they are described as ‘hippie’ or ‘mandala’ and may be 100% polyester. One site states, ‘Hang your tapestries up, use them as…
Juried exhibitions – why should artists subsidise them?
I have previously fulminated on the subject of open-call commissions, when artists were asked to provide designs to a brief, often in a short timescale and without payment. I composed a sample: ‘The tapestry for Borchester City Chambers should be on the theme of ‘caring…
Archie Brennan (1931-2019) and the time he made me cry
Archie was one of my teachers in the Tapestry Department at Edinburgh College of Art in the 1970s, along with Maureen Hodge and Fiona Mathison. He was there less often than they were but he was a strong force, highly regarded for his abilities as…